Best Sellers in Canon EOS 2000D DSLR Camera

Best Sellers in Canon EOS 2000D DSLR Camera

The Basic Principles Of Canon EOS 2000D DSLR Camera 

Best Sellers in Canon EOS 2000D DSLR Camera

BrandUltimate Deals
Shooting ModesCreative Auto, Automatic
LensZoom, Telephoto, Prime
Type of productDSLR
Compatible MountingsCanon EF-S

the crew of experts works within the clock exploring 100s of services every month to make sure that you purchase not simply the correct product, but the ideal item.
Best Sellers in Canon EOS 2000D DSLR Camera

WLAN is also on board on the two versions to transmit shots wirelessly to pcs, smartphones, or other units and to regulate the cameras remotely through the application. NFC for easy coupling only offers the 2000D. Each of the cameras by themselves and the Canon Photograph Companion Application offer handy instructions for taking distinct Image scenes.
Resolution: With a large impression sensor plus a large megapixel resolution, you’ll get the best quality photographs achievable. Much more megapixels implies additional depth in every Picture, regardless if you zoom in.

Best Sellers in Canon EOS 2000D DSLR Camera

Easily grow your shooting alternatives with an in-depth range of interchangeable lenses and add-ons. Consider partial or total guide photographic Management, any time you’re Prepared.

In the event you download Canon's Camera connect application for iOS and Android, you can transfer pictures in the camera in your mobile gadget.

If I have been to shoot this once again, I'd dig to the menu and dial down the flash exposure and/or reduce the ISO. In any other case, I believe the minor flash did pretty excellent work.
Best Sellers in Canon EOS 2000D DSLR Camera

    Externally the Canon EOS 2000D is nearly just like the 1300D that it replaces, which we reviewed specifically two years back. The Management and button placement is nearly as profitable as similar, and so much to is the camera’s Bodily dimension and bodyweight.

    It's noteworthy that the 2000D gives Wi-Fi assist, although the D3500 won't. Wi-Fi could be an incredibly hassle-free implies to transfer graphic details to an off-camera location.

    The modification enables the crimson hues emitted by emission nebula inside the band-pass of 656nm (h-alpha) to generally gathered by the here sensor. It’s a significant upgrade to contemplate in case you’re seriously interested in imaging deep-sky nebulae targets in the night sky. 

    The 2000D also features a Video clip Snapshot feature, whereby the camera will record online video clips lasting two, four, or 8 seconds and compile them right into a Video clip Snapshot Album (a montage sequence) with the option to add your own history tunes.

    Resolution: With a significant picture sensor and a substantial megapixel resolution, you’ll get the very best quality visuals doable. A lot more megapixels indicates the additional element in each individual photo, even though you zoom in.

Best Sellers in Canon EOS 2000D DSLR Camera

A gray bar will show up at the underside within your browser window, which will include your download. To put in your download, click on the name from the downloaded file. Alternatively, it is possible to click on ‘Demonstrate all downloads…’ to watch the listing of all not long ago downloaded documents If your gray bar is just not noticeable You can even accessibility the list of recently downloaded data files by clicking The three modest horizontal traces Situated on the proper from the handlebar Pick out 'Downloads' with the menu plus the list of not long ago downloaded data files will open up From this checklist you can also put in the obtain by clicking around the file identify.

Canon has a long heritage of offering ground-breaking and prosperous DSLRs for photographers of all amounts. The beginners' sector of the market is among the most important–after a photographer has invested in a technique and included several lenses and components, it's a lot more than likely that they'll persist with the manufacturer as opposed to buying and selling all the things in later to move to some rival.

Landscape - photography

Landscape - photography

Advanced Landscape Photography

Landscape - photography

Landscape photography is the art of taking pictures of nature and the outdoors in a way that brings your audience into view. From exquisite scenes to suggest subtleties, the best photographs show the picture taker's own association with nature and catch the quintessence of their general surroundings. Below, you’ll find landscape photography articles we’ve written over the past decade that include accessible tutorials and techniques. If you want to know everything about taking beautiful landscape pictures, this is the place to start.

Novice Landscape Photography

We’ve written headlines, alphabetically, to get you started in landscape photography. Most importantly, you need to know the basic camera settings and technical information (such as aperture, shutter speed, exposure, and sharpness). After that, there will be a specific type of landscape theme that you will also find information here if you want to take a photo.

Advanced Landscape Photography

If you already understand the basics of landscape photography, it may be time to learn more advanced techniques. Things like hyperfocal spacing, right-sided exposure, and focus stacking aren’t absolutely necessary for learning landscape photography, but they definitely help take your pictures to the next level.

Advanced Landscape Photography

The main camera is able to capture a wide depth of field effect, using a wide angle lens as the main body and filter. The lenses chosen to use are an APO 1.8 / 50 lens that we use to capture landscapes and animals in sunlight as well as shade. This lens is wide at a distance of 0 mm mm but only 35 mm focal length was used in the images captured using this lens. The hole on the lens is very shallow and opens up to a maximum f / 1.8, so we are able to receive most of the light from the surface. This is a must have, for any Affiliate, promoting any program. The main camera and filter used is an Olympus E-PM1 main component with an APO 1.8 / 50 lens and a PM100 RGB neutral density filter. Camera used: Olympus E-PM1, APO 1.8 / 50 lens, PM100 RGB filter

Advanced camera technology

 Always try to capture unique images from holiday work. This is very easy for a photographer. A good camera, a good lens and the camera and lens are of high quality. While looking at landscape images captured with setup, I was amazed at how the camera captures a large amount of color in one image. To make it clear that it is not trying to take a photo of the landscape and it does not look like the photo seen before. To capture a photo showing a very unique perspective. With the right camera and the right camera lens, able to bring your own style of photography. Of course you are familiar with the benefits of having a great camera. Once you find your good camera you can also get the best lens there. As long as you have a good camera and a good lens you can be creative and capture amazing images. Lance likes to capture images individually with a neutral density filter because it is believed that it provides a beautiful depth of viewing angle and field effect that is not present in a normal lens neutral density filter. Use the lens CNP 110mm 1.8 / 50 macro lens and lens neutral density filter individually with PM100 lens and focus mask. Good examples of how to be able to get great photos.


You can take excellent landscape photos with any camera device, but you still need to know how to use it properly. These guides include information on choosing the right camera gear for nature and landscape photography, as well as tips on using the camera you already have.


The composition is one of the most important parts of photography, no matter what you photograph. However, especially for landscape and nature photography, you need to keep a few extra things in mind - maybe the natural world may not always work the way you want it to! Below are our top tips for creating powerful, beautiful landscape photos and taking the creative side of things as much as possible.


The most challenging and rewarding form of landscape photography is astrophotography: taking pictures of stars, moons, and galaxies at night. Landscape photography at night has very different camera settings and techniques than daytime photography.

Panorama photography

 Most photographers want to know how to take beautiful, sweeping panorama photos, and the following tutorials are the best place to start. This is not the hardest part of photography, but you also need to use the right techniques in the field and when editing your images.

Panorama photography offers a further dimension that draws attention to the subject but by doing it from an extremely wide angle and using a wide-angle lens and panning at the same time, one has to take pictures from some points and some other points before shooting that panorama in such a way that you can always balance the subject and gain the right perspective. The images from the very wide angle require a very solid structure of those parts which can be achieved by laying the lens in the tripod and while looking through it, adjusting the focus to infinity.

Get Instant Images

How to do it:

Get out of the house as early as possible, if not earlier, to avoid the midday sun but if you haven't, then you can always choose to get up at the third day or even the first and see how the city looks like. Start off with a simple view like a tall building or any big structure in the middle of a city, with the sun already getting stronger as it enters the sky. Put a neutral filter on your lens and switch it on. Hold the lens at that position and align the subject with the center of your frame. When you set the focus, adjust the center-weight of the panorama with the other controls until the panorama is correct.

Use A Neutral Filter

Getting this right is the best thing to do. We have used one in the photo below but you can also use a very thin white filter for this as well. What you need to do is find the focal point from a very wide angle and fix it and then focus on that focal point, look through the lens and align the subject with that focal point. The right side of the frame should be completely black as well. Give it a try and see if it looks good.

After the procedure ,

 After you capture a beautiful photo in the field, the next step is editing it in the post-posting software. Careful post-processing is very important, especially for landscape photography. You don’t want to overset the color or add too much contrast to your image, but you still want to create an interesting, beautiful result. 


 Want some inspiring articles that inspire you to take better landscape photos? Go through the creative and personal side of essay photography, including interviews with landscape photography legends and the dramatic story of photography of one of nature’s wildest events.
Complete Macro Photography Tutorial

Complete Macro Photography Tutorial


Complete Macro Photography Tutorial'-

Macro photography is highly rewarding, but it's not an easy genre. Now, I'm sure that you could make that same argument for any type of photography - but at the moment, I'm not. I'm only talking about macro. This is a type of photography where you go out in humid conditions specifically in search of bugs. Or in search of flowers, or lizards, or whatever it is your photograph. And, once you've found them, you need to focus so precisely that your one-millimeter depth of field is perfectly on your subject's eye, or is it the perfect spot on a flower petal. You might not even have the width of a hair for your margin of error. And you’re magnifying your subject so much that you magnify camera shake as well. So, clearly, picking the right camera settings is difficult. And I'll explain what these different considerations are in a minute, but first, let’s start with some basic terminology.

There are really two terms that I think anyone should know for macro photography, and those are working distance and magnification. We'll start with the easy one, which is working distance. Right now, in my hand, I've got a 105mm macro lens, and I've turned its focus ring to the closest focus position. When I do that, the subject that's in focus is about this far away from the lens. Now, the working distance is the physical distance between the front of the lens and the subject. Now if you've got a longer macro lens, something like 200mm, then you can stand farther from your subject while keeping it the same size in your photo. This means that you’ve got a bigger working distance. However, keep in mind that working distance also depends on the actual length of the lens that you're using - not focal length, but the lens's physical construction.

 The easiest example is if you put a lens hood on this lens. You obviously haven't changed the focal length, but you reduced your working distance. So, for macro photography, you’ll almost always want a large working distance. It's why I recommend a 100mm macro lens or longer to most photographers. Otherwise, you just get too close to your subject, and you might scare it away or even just block the light. All right, term number two is magnification. And this has to do with how big your subject is on your camera sensor versus how big the subject is in the actual world. And the simplest case is when you're at one-to-one magnification. This just means that the subject's size on your camera sensor is equal to its size in the actual world. So here is a roughly accurate full-frame sensor, 36millimeters across. If I lay this 30-millimeter ring on top of the camera sensor, you can see that it's almost covering it. And imagine taking a photo right now.

They might be two-to-one or even more. Now, this means that the subject is twice as big on your sensor as it is in the actual world. And these are more specialized lenses, but depending on the subjects that you shoot, they might be very useful. So, you understand the basic terminology. You know which type of macro lenses I recommend. Now let's talk about two of the biggest challenges in macrophotography, and those are getting enough light and getting enough depth of field. Going into macro photography, it’s important to know that higher magnification decreases your depth of field. There's no way around it. If you're at one-to-one, only a small part of your subject will be completely sharp, and the rest will be out of focus. So, what do you do about it? Well, the simplest answer is don't use super high magnifications - but that’s also a terrible answer. There are tons of amazing subjects that are so small that you need to shoot at one-to-one magnification to capture them properly. But there is still a bit of truth in that statement.

 If you’re just starting out in macro photography, it will be easier if you work with slightly larger subjects - something like dragonflies or flowers. You can actually photograph them in much the same way that you would shoot a regular, non-macro photo. Now, you might still have some depth of field issues, but they won't be nearly as bad. But what about when you *do* want to shoot at one-to-one? Well, in that case, my recommendation is to use a really narrow aperture. I shoot my macro photos at f/16 or f/22. And that basically solves the depth of field problem, but it creates some other problems. You cut down on a tremendous amount of light at these apertures. Now, add that to the fact that you're already very close to your subject, so you’re blocking a lot of natural light. And chances are you're shooting at fast shutter speeds to minimize camera shake, which darkens your photos even more! So, to get bright enough photos, there are a few solutions.

 Option one is just to use a wide aperture instead of a narrow one and then deal with the fact that your depth of field will be almost invisible. This can actually work really well if your goal is a photo that's mostly an out-of-focus blur. For example, I took this photo-focused one-to-one with my lens's widest aperture, and I like how it looks. But that's clearly not a workable approach most of the time, because you’ll often want more detail than this on your subject. Another option is to shoot a focus stack. This is when you take multiple photos of the same subject, each focused slightly farther back than the one before it. Then, in Photoshop or some other software, combine the sharpest part of each photo into a single image. Now, the big problem with this approach is that you pretty much need to do it from a tripod, and your subject can't be moving. So it's great if you're shooting in a studio, but it's often impossible in the field. Instead, the best option for a lot of photographers is to continue using a really narrow aperture, but just use a flash as well. When you have a flash, that's so close to your subject, it actually outshines daylight. And, that way, you can shoot at even f/22 and still get a bright enough photo. But you can’t solve one problem without creating another, and in this case, your flash has to output exquisite light, or it's not worth it.
 You don't want your subject to have ugly shadows and bright specular highlights. It just won't look perfect. So, to get friendly light, you need then diffuse your flash. Now, you can buy a little pop-up diffuser for ten dollars online, and the link to the one that I recommend is below. Or you can do what I do and make your own out of cardboard and plastic. Either way, doesn't matter. The key is that you need to experiment with what looks perfect. All right, now that you've got the basics of depth of field and lighting, let's talk about the specific camera settings you should use for macro photography. No generalizations; I'm going to give you exact exposure values that I recommend for different macro work. First up is the aperture. Now, let's assume that you're shooting one-to-one macro, and you're using a flash.

 Really, your goal is to get enough depth of field without using an aperture that’s too narrow. You'll want to avoid f/32, f/45, and anything more than that because those apertures become fairly blurry. And that's because of diffraction - not this video, but I included a link below to our Photography Life article on the subject. So, what exact aperture should you use? Well, you want a lot of depth of field, and you want to avoid blur from diffraction. Now, ignore Canon cameras for a minute, because they actually calculate f-stop different from everyone else. Other than them, a a perfect balance is somewhere from f/16 to f/22. But that's with a full-frame camera. If you have an app-c camera like Nikon DX, that recommendation becomes f/10 to f/14. Or, if you use a Micro Four Thirds camera, that recommendation is f/8 to f/11. They all give you the same depth of field.

 You don't want it to be too high, because then your flash will recharge slowly and you must wait a few seconds between taking photos. For now, set it manually to one-fourth power. We'll go back in a minute and make flash, automatic, but not yet. And then the last setting is ISO. This is when you actually want to take sample photos of the real-world object. I recommend just a normal leaf focused on one-to-one magnification. Take photos as you ramp up your ISO and give your flash time tore charge between shots. Then stop taking pictures when you get one that’s properly exposed. Now, say this happens at ISO 400. Then you would set that ISO, 400, on your camera, and not change it. Last, go back and turn your flash to automatic.

 Now the flash will change its own power based on how reflective your subject is, but even though it's in automatic mode, you know it will hover around that1/4 power mark because of what we did earlier. Now, you still might need to adjust your flash compensation if it's consistently taking photos that are too dark or too bright, but that's really all that it takes. Your camera settings are now perfect for one-to-one macro photography. Although, of course, experiment with these numbers and make sure that they work for you. And again, if you're shooting something farther away like a flower, you have so much more flexibility. In that case, I recommend an easier approach. Just use your lens's widest aperture, or something close. Maybe f/4. Pick a shutter speed you can handhold safely, like 1/250th of a second. And then set your ISO to whatever value gives you a a perfect exposure. You can even turn on Auto ISO.

 Get close to your subject and frame your photo. Slowly rock forward and backward until the right spot on your subject is in focus. It's absolutely not a perfect method, but it’s the best that I've found. With enough practice, you can even track focus on a moving subject, like in this photo that I took off a bug walking across a flower. Of course, if your subject isn't moving, by all means, use a tripod. You can focus automatically or manually at that point, with excellent results. But that's just not practical for a lot of subjects. Lastly, I'll note that it's so much easier to take macro photos when it's not windy outside. Focusing can be a nightmare in windy conditions, and even a light breeze is an enormous factor in macro photography. And that's it! I hope you learned something from this video. Macro photography is all about practice, so go out, but these techniques to the test. Take some wonderful photos, even in your own backyard. Also, just briefly, this is the first video in a weekly series that we’re starting at Photography Life. Now, we've had a YouTube channel for forever, but we haven’t really posted much to it, so I would appreciate your feedback. If you liked something, didn't like something, please leave a comment below. 
Wildlife Photography

Wildlife Photography

Wildlife Photography

Wildlife Photography '-*

Hi, today I would like to talk to you about Wildlife Photography 10 tips that might just help you will improve your wildlife photography. 

Wildlife Photography No.1 is to know your gear. So maybe get comfortable with your camera before you go out in the field Know where the buttons are. Get familiar with the button so when you look through your camera and a situation appears you know at least know what button to press so that you don't look at your camera and wonder what must I do now. So be comfortable. Maybe you want to move your focus point that you know where I can move my focus point. I don't need to take the picture all the time in the middle. Know where you can change your shutter speed or your aperture where you have to change your ISO. If you're not comfortable with the full manual yet, maybe understand how one of the auto exposure modes is working. If you may be more comfortable on aperture priority, know when to use what aperture or how low your aperture can go according to the lens you have. Maybe also understand or try to work out on your camera or lens what is the minimum shutter speed you can go and still have a reasonably sharp image. You also have ISO on your camera so see how high or how far you can push your camera in certain situations. You might come when you have very little light and then you know how high you can push your ISO and still have a reasonable image. 

Wildlife Photography No.2 is to know your location and animal behaviour. I think it's very important to do some research where the location that you are in so go to make sure the time of year when it's a dry season or when it’s a wet season, maybe? Some times of the year also you have different animals. You have different birds. Birds migrate. So I think it's very important to do some research. If you're, for example, a bird photographer makes sure that the bird that you're interested in - to make sure that the location that you're aiming to go that the bird is at this time of year there. Birds are nesting certain time of year, of course. So make sure if you’re interested in this bird as well, that you are the time they're nesting. Be there by the time where they may be hatching. You can get really cool bird behavior. Maybe they bring food for the chicks so it could be really cool and photos. 
Wildlife Photography No. 3 is light. I think light is so important so how to work with light very early out in the mornings. Get up early, be out there before the sun even comes up and the same in the afternoon just before the sun goes down. Be out there it's a really beautiful light. We call it in photography terms we call it the golden hour. So be out there this will already make a big difference in your photography. If you maybe have an overcast day, you can shoot of course longer during the day. The light will also nicely diffused. 

Wildlife Photography No.4 is shooting close but wide as well. We sometimes zoom in the total time on our subjects. We’re getting an accurate portrait. Just close-ups may detail, but don't forget also shoot wide. Zoom may be out a little. If you have a wide-angle, use it. Get the trees in the background. The mountains. Where the animals walking in the environment and that will just give you as well a different type of photo. 

Wildlife Photography No.5 is working on your angle. Don't be afraid to go down as low as you can. Go down on your knees or even lie down flat on your stomach. This will help you create that nice out-of-focus background and make your image or your animal pop a little more from your background. Being on eye level with your subject will create a more personal feel to your image. So go down as much as you can. 

Wildlife Photography No.6  focused on the eyes. Eyes are often the first thing that we notice when we're looking at the animal. So look closely to the eye and focus on the eye. When you have the eyes sharp, the overall image will feel sharp. Even if you work with a shallow depth-of-field. 

Wildlife Photography No.7 is taking advantage of digital photography. Don't be shy to take as many as you need to. Have your camera on continuous shooting and shoot burst shooting. it could be the difference between getting this shot or missing the shot. So don't be shy and shoot as many as you can. In the back of your digital camera, you have an LCD screen where you can view your images. Have a look at them to see if something is wrong, maybe it's too dark, it's too bright and where you can easily and quickly adjust before you keep on shooting. 

Wildlife Photography No.8 prepared to wait. Have patience. Patience is the name of the game in wildlife photography. There’s nothing more rewarding when you sit at the sighting. Waiting for a long time and an animal gets up and walking towards your camera. Or a bird flying off a branch with the wings nicely open towards you and get a beautiful wingspan. So don't be afraid to sit by a sighting and wait. This might take time.

Wildlife Photography No.9 composition. The center is boring! Don't always put your subject in the middle of your frame. Use the rule of thirds. Move your subject to the left of your frame if it looks to the right. Move your focus point to the right when your subject looks to the left. Move your horizon to the bottom or to the top. Don't always put your subject in the middle. Follow this step and this will create a more interesting image for you. 

Wildlife Photography No.10 aims for simple backgrounds. Sometimes the most dramatic wildlife photos are with simple backgrounds. Photos with a busy background will cause your subject to getting lost in the frame. The goal is to highlight your subject to make them stand out from a blank or empty background behind the animal. Sometimes you just need to move or shift your position left or right to create a more favorable scene. So this is my 10 tips for you. So I hope it helped you please leave your comments down below and thank you for watching.
Photography Tips | Photography Basics Guide

Photography Tips | Photography Basics Guide

 Essential Photography tips for beginners Guide With Basic Photo Tips 

Photography Tips' -*

A Beginner's Guide To Photography Basic Photo Tips

Photography is a complicated subject. As a beginner photographer you'll likely be looking for advice on how to get started, but this guide aims to help you with the basics.

First off, why take photography seriously? Because photography is great for creating photos and if you can master it, you'll be able to do so for years to come. It's certainly been helpful to me.

This basic photography guide will help you learn how to take photos with a basic DSLR. There's so much you can do with this type of camera and taking photos can be both fun and rewarding, even though it may be somewhat challenging at first.

Photography basics guide with basic tips

Getting started with your camera takes time, but it's important to learn the basics of your camera so that you're on the right track when it comes to photo composition. Most beginners are unsure how to get started.

If you want to learn more about photography basics, you can also download our beginner's guide to photography: Getting Started With Photography.

"Frames per Second (FPS) Photo Settings"

If you haven't read our guides to photo settings for a DSLR, be sure to read them. They include basic photo tips to keep you from needing more photography basics advice.

While photography basics don't necessarily take a lot of time, this is because most people can take some advice from their camera's manual. However, if you want more advanced photography tips, there are many tips you can read about online.

Regardless of where you got your camera from, you can learn more about photography with a DSLR's manual, which covers the basics.

Read more: Should You Buy A Camera Manual?

If you want to learn more about photography basics, there are a few helpful websites you can check out. One is Digital Camera Workshop, a great resource with lots of useful tips for all photography enthusiasts.

For photographers and beginners, there are also several photography websites that are worth checking out for beginner's guides.

For photography basics that are worth checking out, you can check out Photography Blogs for Beginners and Photography Blogs for Photographers.

If you're a photographer, you might find the following articles useful:

For beginners, you'll need to know about shutter speed, aperture, and ISO. However, for photography basics guides, you'll also need to know about white balance, ISO, and depth of field.

"Shutter Speed Tips: Camera Mode - Automation Photography Tips"

"Why Does Auto Dim My Camera's Shutter?"

"Auto Dim: 10 Ways To Get Perfect Exposure From A Digital Camera"

"10 Ways To Get Better Photos From A DSLR Camera"

"10 Secrets To More Confident Photography For Beginners"

"How Do I Take Better Photographs With A DSLR?"

"Professional Photography Tips For Beginners - 10 Tips That Will Transform Your Photography"

"Understanding The Different Modes Of A DSLR Camera"

For photography tips from experts, check out There's a lot you can learn from this website, including basic photo tips for beginners.

Photos to inspire beginners

You might be wondering why you'd have to learn photography to take beautiful photos. I want to help you take beautiful photos without needing to learn the basics first. I want you to learn photography so that you can find the beautiful places around you. Photography can inspire you to take beautiful photos anywhere.

If you're new to photography, it's good to start with beginner's guides or photo tutorials. These can inspire you to take beautiful photos that you wouldn't have thought of before.

If you're taking photos that inspire you to take beautiful photos, be sure to share them in our social media channels so that you inspire others to create more inspiring photos too.

Once you've taken photos of beautiful places, take photos of things that inspire you. These photos can also inspire you to take more photos of similar scenery and other beautiful things around you. If you create beautiful photos, you'll inspire others to do the same too. This will inspire photographers to create beautiful photos as well.

Making a photo guide and creating photo tutorials is a great way to inspire beginners to create more inspiring photos. It's a great way to help them to find the beautiful spots around them.

If you're a photographer or know someone who is, teach them about photography or you can let them take some photos for inspiration. People can use a photography guide to take photos too, it's a great way to inspire people.

People can use a photography guide to take photos too, it's a great way to inspire people to take photos as well.

If you want to inspire other photographers to create inspiring photos as well, you can always make a photo guide and create photo tutorials for beginners. This way, you can inspire new photographers to take beautiful photos as well.

If you like photography, there's a lot you can learn from taking photos. Taking photos is a skill that will help you